Filed under: Uncategorized
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6:42PM: Back again, this time with the last installment in our epic melodrama. Only 5-6 hours left! Do you remember how psyched you were for these to come out? I remember. I was almost “dressed-up-like-Aragorn” excited. Had it been like two degrees more socially acceptable, I probably would’ve done it. Or I would have gone as Liv Tyler.
Continued after the jump…
Filed under: Uncategorized
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2:19PM: And now we start again with the Two Towers and I’ve spilled water everywhere. We are making good time here, people. We can do this! We are the US Men’s National Soccer Team of LOTR liveblogging!
Continued after the jump…
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10:22AM: It has begun. This is the nerdiest/awesomest thing I have ever done. I will liveblog the LOTR trilogy in its entirety. I own the extended editions of each movie, so that means like 12 hours of swords, orcs, hobbit-on-hobbit love, and Liv Tyler. Will I survive? I would like to tell you that I am doing this without the aid of substances. I would like to tell you that. But it would be a lie. I will do whatever it takes to enhance my endurance and, correspondingly, enhance your blog-reading pleasure. Now, it has been brought to my attention that recently executed murderer Ronnie Gardner watched the entire trilogy before his death. Don’t worry, I don’t plan to get shot by firing squad when this is all over. Though maybe I will want that.
Continued after the jump…
Filed under: Rants | Tags: discovery channel store memories, environmental ethics, political satire, recycling old shit
Editor’s Note: Considering that I am completely lacking in inspiration, I thought I’d post another oldie from back in the day. This one I wrote the night that I learned of Steve Irwin, Crocodile Hunter’s untimely and tragic death. Please understand that this is satire, and that I was actually deeply affected by Crocodile Hunter’s death — enough to dress like him for Halloween that year.
CNN trotted out its red “breaking news” banner. The New York Times reported in stark black and white under the “News from AP” heading. Steve Irwin had died, struck down by the cruel unthinking malice of a stingray barb through the chest. The preliminary reports note the irony: Steve was filming a documentary to demonstrate his bravery around stingrays. They do not note that the barb, slicing through his heart, is pregnant with metaphor, wielded as it was by one of nature’s murderous miscreants.
I spent a summer, several years ago, employed in a Discovery Channel Store at the Briarwood Mall. I would spend each shift sitting on the counter behind the registers, chatting with an aspiring Marxist Prog-rocker (“my band’s major influence is Rush — now compare the time signatures on these songs by Tool and King Crimson”) and a failed Central Michigan University quarterback (“I’m waiting to hit it big in hearing aid sales, but you can’t do that until you are old.”) As the boredom slowly smoothed over the folds in my cortex, Steve’s voice would rise above the din. It spiraled out of the seven television sets spread throughout the store. His giant face hovered above me on the tremendous flat-screen, beckoning me to begin the two-minutes hate against man’s greatest enemy, the crocodile. I know Steve well. He taught me to seek power and mastery over all of Noah’s dumb beasts. He taught that this was God’s divine will.
See Steve struggle with the crocodile who unthinkingly stumbled into some Australian suburb. Certainly, he could have just shot the fucker with a tranquilizer dart, later dumping its flaccid body into some gully in the interior. However, Steve, like an Ahab in uncomfortably tight shorts, had a greater ambition. He wrestled the crocodile to demonstrate his power. He subdued it with his own hands and then set it free in the wilderness, as if to say, “here thou art home, malignant archfiend, but soon we shall overrun you with bulldozers and houses and then you and I shall again engage in combat. And the next time we meet, demon, I shall eat your heart.”
So it is fitting that, as the Mighty Thor dies from the poison of the great serpent Jörmungandr at Ragnarok, Steve died locked in mortal combat with nature, his greatest nemesis. And like Ragnarok, Steve’s run-in with a flat blob with a sharp tail that sits on the floor of the sea represents his on-going struggle to destroy nature for our future. Bindi Sue will some day see a glorious future where steel stretches high into the coal-black sky and robots feast upon the flesh of kittens. This future will be his legacy. Let us all kill an animal today to avenge our fallen hero.
- September, 2006
Filed under: Burritos | Tags: justin bieber, statistical analysis, taqueria review, time-centaurs, using googledocs for justice
Editor’s Note: This is the second in our series of reviews of local Mission taquerias. This taqueria review will feature content written by “Rob” our “Guest Taqueria Analyst.”
Erik: Methodology – Five relatively physically healthy men, not-quite young, served as subjects in the following study of taqueria tastitude™. The burrito and the taqueria were objectively measured using a variety of variables. These variables were conveniently recorded in a googledoc and are summarized at the end of this review.
Rob: Analysis – La Taqueria, or “La Taq” as it is known to local denizens, is one of the more well-known taquerias in the City. Located conveniently near the Mission & 24th St. BART stop, La Taq provides a spartan menu of burritos and tacos, with meats ranging from stewed chicken to lengua (no seafood). Our visit to La Taq presented an interesting conundrum: the taqueria’s tacos are arguably more renowned than their burritos, therefore largely responsible for La Taq’s popularity and reputation, but for the purposes of this blog we would be focusing on the burrito only.

Rob = Burrito Gangsta
Erik: What Rob means is “Any idiot can make a good taco.” One time, I made a taco with a hotdog, a piece of wheat bread, and ketchup. It ain’t rocket science. The burrito, on the other hand, is a science. It has a glorious history. If a San Francisco taqueria tells you it is notable for its tacos, it is simply trying to deflect criticism for suckage.
Rob: Upon entering, I was immediately struck by the colorful mural spanning the length of two adjoining walls, as well as the cheeriness of the staff. Because of the concentrated nature of the menu offerings and having had the carnitas during my previous visit, I quickly decided on a chicken burrito with cheese and avocado. The menu does not offer a “super” burrito; only one size burrito, with your choice of meat and then any sides that you wish to add. The service was prompt and courteous, without an overwhelming sense of friendliness but at a very comfortable level for an SF taqueria.
An excerpt from Sir J. Thurgood Snorpington-Pittwickett’s classic “Sexual Tyrannosaurus: ‘Predator’ and the masculine struggle with homosexual self-identity,” first published in the 1988 Journal of Psychosexuality and Cinematical Hermeneutics 6, p. 122-254.*
“Using post-freudian dialectical analysis, it becomes clear that the 1987 action film ‘Predator’ is an allegory for the gay male struggle to accept a differing sexual identity than is appropriate in a dominant hetero-normative cultural system. As we see the character Dutch, played by Arnold Schwarzenegger struggle to understand and accept the existence of the Predator, we are actually witnessing the struggle for dominance in the psyche of a gay man who has not yet understood or accepted his own identity. The jungle of Dutch’s mind is the setting for the fight between his Super-Ego, manifested in the team of hyper-masculine marines, and the Id of the Predator, who represents a pure homosexual archetype.
Dutch is the leader of his team, but just as society determines what conduct is normatively appropriate and thereby holds a strong control over our actions, Dutch’s team correspondingly operates to influence his choices. For example, Jesse “The Body” Ventura expresses disapproval with homosexuality when, on the chopper, he excoriates his teammates as “Slack-jawed faggots.” This works to maintain the hegemony of dominant heterosexual ideology within Dutch’s mind. In spite of this, the film introduces the internal conflict raging inside of Dutch early on. When he first meets his old friend, Dillon, played by Carl Weathers, we see hints of his inner turmoil. Dillon is the model of a masculine authority figure, dressed in a too-broad tie and incredibly tight work shirt. When he claps hands with Dutch, we see Dutch’s eyes light up at the touch of another man. The film adoringly focuses on the masculine form, as we see the two gigantic biceps, veins bulging, arm-wrestle for dominance. This mimics Dutch’s own internal struggle. Will he embrace his own way, or will he accept society’s dominant conception of appropriate sexual identity?
By contrast, the Predator, dressed in obvious S&M gear, is a representative for the pure gay self. The Predator is a literal “alien.” It is cloaked in rejecting terms of the Other. It “hunts” man, and the hint of seduction is a terrifying notion to the heterosexual men in the Marine unit. The Predator is a perfect mimic, recording and repeating the vocalizations of the Marines. The fact that a homosexual, like the Predator, can seamlessly blend in with what the Marine’s believe is their own private space, is threatening to their hetero-normative hegemony. The Predator “skins” Dutch’s heterosexual companions, thereby depriving them of their power and revealing, literally, the irrelevance of their self-identity to Dutch’s experience. The Predator slowly kills off Dutch’s team members, who become weaker and weaker, as Dutch comes to express his own homosexuality more vigorously†. The Predator is invisible to Dutch’s companions and even to Dutch himself, just as Dutch’s homosexual feelings are suppressed by his Superego – neither he, nor his friends, are completely aware of his homosexuality. Once the Predator, as a representative of Dutch’s long-simmering sexual desires, has completely eliminated all hetero-normative influence from Dutch’s mind, does Dutch begin to understand himself. Dutch’s transformation takes a pivotal step when he is free from society’s stultifying influence. He is free to indulge in his long-denied desires, EX: wearing makeup (albeit made of mud).

Figure 2. Bondage gear and outsized physical dimensions represent the gay ideal in the personification of The Predator.
However, it is only when he physically fights the Predator, that Dutch can accept his identity. Although he admires the strength, and well-built frame, of the Predator, he cannot look at it in the face. The Predator still wears a mask, a symbolic reflection of Dutch’s own mask of heterosexuality covering a homosexual identity. In a scene reminiscent of a striptease, the Predator removes his mask, showing his true face. Dutch cannot look away, but still refuses to fully acknowledge the significance of what he is seeing. He calls the Predator “ugly,” because it is difficult, after years of indoctrination into the dominant ideology, for him to embrace the beauty of his own individual self-worth as a gay man. However, Dutch’s self-realization cannot be undone. The Predator can die, by suicide, because Dutch’s Ego has internalized the homosexual feelings the Superego had long neglected. The unconscious correcting force of the Predator is no longer needed. The Predator’s knowing laugh communicates to Dutch that he can now attain happiness as his own self-actualized person. This revelation is symbolized by the orgiastic giant nuclear explosion in the “jungle” of Dutch’s mind. Reminiscent of an orgasm, the explosion obliterates the allegorical trees disrupting Dutch’s view of himself. As he flies away in the helicopter, his solemn face affirms that he now understands and accepts his homosexuality.
†Some scholars, see S. Boolsbury-Lickworth (1987) If It Bleeds, We Can Kill It: Romantic Tragedy in Predator, Harvard Press, have pointed to the indigenous woman Anna’s presence in the film to discount this psychosexual interpretation of ‘Predator.’ According to my close analysis, it is clear that Anna represents an attempt by Dutch’s Superego to manifest a hetero-normative relational dynamic. However, Dutch rejects this, since women in his regard are weak, helpless, and unworthy. It is demonstrative that Dutch never consummates this relationship or even expresses anything but remote disdain.”
*Idea originally conceived by a friend, and inspired by this piece by J.G. Ballard, and also by this.
Filed under: Rants | Tags: bogans and westies, felling lumber, greatest flannel ever, hipster clothing, pearl jam, world domination through clothing
Today I purchased the baddest-ass flannel shirt ever.
Allow me to set the scene. It was a beautiful sunny day in the city. I was invigorated by my daily run, consisting of an uncoordinated trudge through the Castro. The disproportionately male denizens of the Castro meet my flabby body with a look of reproach and horror. This gives me an incentive to elevate my effort. Once my workouts have resulted in a fit, attractive figure, sufficient to warrant a lustful gnashing of teeth, I will have met my benchmark.
That was a digression. The day was sunny, and I was feeling good, so I went to the Charity Thrift Store on Valencia to go clothes shopping. I was in need of some cheap shirts. What I found there quite possibly changed my life: The Most Powerful Flannel Ever.
It is red and black check, manufactured by “Field and Stream,” giving itself an air of absolute legitimacy in terms of outdoor musky masculinity. ”Field and Stream” clothing has a motto commanding us to “wear our passion every day.” My passion is ultimate power, and in this flannel I have gained the instrument for ultimate domination of the universe.
On the “F&S” website, my flannel is pictured prominently on the front page. It is named the “Jackson Jackalope” after the mythical beast, legendary for terrorizing the hills of random yokel towns, and also remembered in reference to the regrettable Dave Coulier, who Alanis apparently slept with which is basically an archetypal “lowering yourself” moment no matter what you think about Alanis. But that is another blog entry entirely.
The weight of the fabric is heavy. It armors you against the elements. Your enemies may not harm you. The Mongol hordes wore silk armor because the silk could not be pierced with arrows. Generally, when you are shot with an arrow a piece of clothing remains in the wound after the arrow is removed. This causes an infection that leads to your death. With silk armor, the Mongols might be wounded by an arrow, but they could easily remove the missile and sew up the hole. This is how the flannel works against bad vibes and dark magick of every variety. But, what if instead of magick, my adversary uses arrows? I knew you would ask that. This flannel is so aggressive that no one would dare shoot arrows at it.
The Most Powerful Flannel Ever is so powerful that it immediately destroys all other flannels in its immediate vicinity. This is not an exaggeration. As I held it on the way to the checkout counter, I passed another flannel shirt. This flannel was obviously weaker than mine, because all flannel shirts are weak in comparison. The weaker flannel exploded in a violent eruption of fire and brimstone. A high pitched scream issued from its expiring ashes. In fact, by the very virtue of its existence, my flannel has drained the power of other flannels worldwide by a factor of 10. The state of Washington will never be the same.
Here is haiku I composed in tribute to the flannel:
Powerful flannel,
Bow before red and black cloth!
You are my servant.
Filed under: SF | Tags: manventure, naked lesbians, really? naked lesbians! yes.
Once upon a time, there were five men who moved to San Francisco for love. From Oklahoma, Ohio, Michigan, and New York, each travelled to San Francisco for a woman. They became friends along the way, partly because their respective ladies were friends. One Saturday they conspired together to throw off the chains of feminine tyranny. They set sail on a glorious man-only adventure with two dogs (both males). They called it a Manventure.
A beautiful thing about The City is that once you cross that big orange bridge north into Marin County, you enter a wilderness. A 20 minute car ride will leave you in solitude with the rolling waves of the beach or the fresh smell of a Redwood forest. One of the Men knew of such a romantic locale, perfect for Male conquest. It was a black sand beach, tucked underneath the broad and arrogant Marin headlands.
The men collected their gear and dogs and piled into a diminutive Acura Integra from the late 1990s. Across the Golden Gate they drove, turning after the span to climb the steep roads that hugged the side of the Marin cliffs. Finally, at the beach. There were goths milling about and two women clinging to each other in the back seat of a Ford Focus. One of the men said, “Sometimes there are naked people here.” This observation was disregarded by the others. It was a cloudy day, slightly chilly, and it would be uncomfortable for some old gay man to run naked on the shore.
The dogs ran free, like the men themselves, free from the city and responsibility and women. Dogs love beaches.
The men climbed on rocks.
They strolled from one side of the beach to the other.
As they walked past the entrance they noticed a woman lying face down in the sand. Their hearts filled with dread. What if she was dead? That would really spoil the manventure, a dead woman. Just like a woman, to kill the manventure. One of the dogs smelled her butt. She shifted her head, her eyes barely open. She was alive at least, if groggy. The men sauntered on.
At the very end of the beach, standing before the slick cliff face, they saw plants. Succulents of perverse character. Strange and unidentified. A short plant guide stuck in a backpack gave no answers. As they photographed the plants one of them turned.
“There are naked people over there. Naked women.”
“Holy shit. Naked lesbians.”
And they were. Nubile, pure. Nymphs frolicking in the surf, born from it like Aphrodite. Dancing and giggling, far enough away that the men saw only two luscious pink shapes leaping into the cold water. A faint squeal drifted across the space in between.
“What do we do, we obviously can’t go over there. They are blocking our way to the entrance.”
“What do we tell the girls when we get back?”
The women eventually left the water and stood, holding each other for ten minutes without moving. In time, they put clothes back on and played a game of catch. Except they did not have any footballs, baseballs, or frisbees. They were playing catch without balls. Making athletic leaps in the air to pull down an imaginary sphere.
“They have to be on mushrooms.”
“No doubt.”
The men steeled up the courage to leave, which required passing the once-naked lesbian couple. The women reclined in a spooning position next to a rock. Perched at the rock were two ravens. Ravens mate for life. The men pretended to be interested in the birds to avoid the awkwardness when the dogs smelled the once-naked butts of the women. The women glared. Their eyes were glassy, their minds attempting to process the existence of the men. Where had these men come from? They had not existed five seconds before, even though they were in plain view a few hundred yards away! How dare they violate this private moment of tenderness. The men stumbled past.
The men left, finding a new beach. This one had surfers. ”Point Break” is the greatest movie ever.
Then the men had beers at their clubhouse.
THE END.


















